the machine
(intensity of stimulation)
marshall mcluhan
films do not record moments of reality,
but simply dialectics


kinesis = from ancient greek (kinesis) "motion, movement", from (kineo) "I move, I put in motion". the movement or activity of an organism in response to an external stimulus. the movement can be in any direction or even random. its rate (that is, the frequency of turning or reorientation, or of activity) depends on the intensity of the stimulation.



that's where we are!
spectacle
beste slotscene ooit #1
rokudenashi | yoshishige yoshida, 1960
de minimale utopie
eerste film ooit | 14 oktober 1888
normen & waarden
resolutely against
this so called professionalism
» my favorite frames
a presence that no one can ignore
beste slotscene ooit #2
medium cool | haskell wexler, 1969
la tyrannie
wat de kat ziet
de dood van baleia
look out haskell, it's real!
hanyo | ki-young kim, 1960
beste openingsscene ooit #1
beste slotscene ooit #3
pigs & battleships | shohei imamura, 1961
nuit noire, calcutta | marin karmitz, 1964
kapitaal vs. terrorisme
the measure of money
burgerwaarden
stofzuiger vs. machinegeweer
nicht löschbares feuer | harun farocki, 1969
la terreur de la caméra
beste openingsscene ooit #2
beste slotscene ooit #4
the killers | don siegel, 1964
motief
j'accuse #1
la patagonia rebelde | héctor olivera, 1974
marshall mcluhan
... koppen
fred ott
all of the lies


television and films do not record moments of reality, but simply dialectics, areas of contradictions. british sounds | jean-luc godard, 1970