the machine
(intensity of stimulation)
films do not record moments of reality,
but simply dialectics
kinesis = from ancient greek (kinesis) "motion, movement", from (kineo) "I move, I put in motion". the movement or activity of an organism in response to an external stimulus. the movement can be in any direction or even random. its rate (that is, the frequency of turning or reorientation, or of activity) depends on the intensity of the stimulation.
beste slotscene ooit #1
rokudenashi | yoshishige yoshida, 1960
a presence that no one can ignore
beste slotscene ooit #2
medium cool | haskell wexler, 1969
look out haskell, it's real!
hanyo | ki-young kim, 1960
beste openingsscene ooit #1
beste slotscene ooit #3
pigs & battleships | shohei imamura, 1961
nuit noire, calcutta | marin karmitz, 1964
stofzuiger vs. machinegeweer
nicht löschbares feuer | harun farocki, 1969
beste openingsscene ooit #2
beste slotscene ooit #4
the killers | don siegel, 1964
j'accuse #1
la patagonia rebelde | héctor olivera, 1974
television and films do not record moments of reality, but simply dialectics, areas of contradictions. british sounds | jean-luc godard, 1970